Friday, October 23, 2009

The Creative Process can be a Chore

I've been spending a lot of time this week designing what I'm hoping will be a pair of very elaborate, draping, sparkly earrings for The Book, but the earrings still aren't finished. You'd think, "Hey--a pair of earrings? Easy." But I've easily made 5 attempts at them already, and still haven't had success.

The creative process is a tricky one, isn't it? And ever so time-consuming with beads. Here's a quick overview of my battle:

Here are the components I started with:(from left) a very thin 6mm foil-backed crystal triangular stone (#4722); an 11.5mm foil-backed crystal chaton (#1028/SS50); and a very thin 8x4.8mm foil-backed topaz drop stone (#4300).


I felt compelled to bezel those tiny crystal fancy stones with size 15 seed beads, so I tried doing so with some pretty rhodium beads from Virginia and Carol. I figured out the complicated bezeling for the shape, but realized I didn't like how the seed bead color washed out the crystal brilliance. Plus, the metallic plating on these beads are just a micro millimeter too thick, making it look slightly bulky.


So I went with a more neutral antique-gold lined seed bead and played with the pattern a bit to get a tighter fit. Here's one attempt at a more stream-lined backing. (Didn't work.)


Finally came up with a pattern that looked tighter, but unfortunately I feel the crystals in this version overpower the beadwork. I also realized the rounded seed beads are part of the problem in making the bezel look messier than it should.


Out came the size 15 Delicas in a gold-lined version. Right bead. Right color. The bezels definitely look more clean.


Bezeling the chatons came next. I really wanted to try something different, copying a technique I'd come up with for smaller chatons in a different project in The Book, but this attempt failed because the larger chatons are so thick.


Ended up with the tried-and-true right-angle-weave-to-peyote-stitch transition to make these. They are nice and tight and fully covered on the back so the sharp chaton point won't hit the neck while the earrings are worn...


So now on to bezelling those itty bitty drops. Here's my first attempt at a cup.


I'm realizing quite quickly that bezeling these suckers may be impossible. I'll give it another whirl or two, but may need to change course and use a drop with a hole in it instead...we'll see!

So that comprises about 10 hours of design work with no finished project to speak of. Lots of learning, though, and a couple of pretty nice components that employ some unusual materials.

Am I the only one who works like this? You know...stitching up the whole thing before realizing it needs a major change? Or do you see everything clearly right away? If the latter's the case, please tell me your secret!

17 comments:

VanBeads said...

Very, very rarely does a project come out 100% perfect the first time! I very often find myself in the same position as you - I will finish a piece only to find that it needs tearing out because it is fatally flawed. And that can be so frustrating, because like you, I multi-task during the day, juggling my beadwork designing with other things like running after my toddler and dog and husband.

The more we experiment in the design process, the more we learn, right? So maybe that translates to: the more we mess up, the greater the odds are that our next project will come out perfect on the first try.

We can always hope.

Jean Campbell said...

Hope...and pray! Thanks for weighing in, Jen. Glad I'm not alone. (And you should see the mountain of laundry waiting to be folded downstairs! Titanic.)

TheBeadedCarpet.blogspot.com said...

Ahh yes, the design ups and downs that leave your bead board with lots of little components and attempts doomed to be ripped apart. Gee...that's my bead board at the moment...one component that will be used for sure, some first attempts for the project I just finished which amazingly only had two false starts to get to that "vision fulfilled" moment. I don't have a toddler to run after, a husband to tend to and I caught up on two weeks of laundry yesterday....now I just have to catch up on class samples and flyers.

Amy Anderson said...

I don't think I've ever completed a design project on the first attempt. What I see in my head doesn't come out the way I see it, or it does, but it doesn't drape right or it looks great on the bead board but not when it's worn. It's like painting I guess. You have to start with a sketch, or many sketches. Maybe its unreasonable to expect the first draft to be perfect?

Brenda Schweder said...

I've had a few (as I call them) Klunkers (yes, with a capital K) myself. The most recent "incident" was a bracelet project where I too was up against a book deadline. Of course, the time frame and the added stress due to it were particularly frustrating. I ended up scrapping the whole project only to re-use a few of its components in the book's very last and (in my opinion) best project! The funny part? It took all of 15 minutes to complete it! Retribution!

kate mckinnon said...

I think I've made about 50 Ndebele flowers in the past three days; I cracked up when I read your title. Ha!

Judith said...

You're 10 hours sounds short compared to my 8 months to refine beadwork into something useable and repeatable. Too funny as your blog post followed mine on same subject by only a day.

Pepita said...
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Pepita said...

Pfff what a relief to read that experienced bead gurus still face the same problems as I (beading 2 years) do.

When it comes to beading very often I realize that I lack knowledge on materials or techniques. And since every creation is new or new combinations of familiar things, the situations you don't immediately have an answer for keep coming up. And that happens to experienced beaders too because with creating comes pushing boundaries and learning from those boundaries in order to tackle boundaries that lay ahead.

WCPO is VULGAR and Unresponsive said...
This post has been removed by the author.
Anonymous said...

#1) 15s definitely around the face to pull in
#2) can use a hana ami type pattern on back (with 15's in two colors if wish to add pizazz)...then switch to a solid bezel. Might be easier to draw in.
#3) Bezel sides with two colors on the very center row.
#4) add firepolish stones or 3mm rounds or bicones. around the edge for pizazz (using the second color as a marker).. maybe with 15 on each side....then can picot in more firepolish and 15's...in between.. then go around to reinforce.

Just did a Rivoli that way...

(And no, I can't "envision" a project either).

Love this project..awesome.

Then you can make seed bead dangle to hang the piece, from the seed beads in between the bicones or firepolish.

If you are adding FP or Bicone, or rounds to accent the size of the beads (other than the face), are not as important.

Might try charlottes. I bet they would be nice.


Linda Spears
Florida Beaders

Jean Campbell said...

Oh, these are such great comments! I really appreciate all the weighing-in, and certainly to know that I'm not alone...

One of the biggest problems with this project is the tiny, thin stature of the triangle and drop stones. The triangle, for instance, is only 6mm wide and about 2mm thick. It's like bezeling a sequin, you know? So, short of finding some size 20 seed beads someplace, my decreasing abilities are limited. Ahh...the joy of creative problem-solving, right?

chris said...

I had to laugh reading through your post Jean - this is EXACTLY the process that I've gone through with the projects in my books. And for some reason, the bead woven earrings tend to require the most experimentation. (When I finally reach a decision on a design, I'll have ten or twenty scrapped starts lying around, completely useless.) And occasionally, there will be a design that I spend six or eight hours trying to perfect, only to trash it completely and try something new. It can be a serious lesson in patience! :)

EveryDay Flair said...

Thank you so much for sharing your experience. I often go through the same process when designing new projects - I have three going right now. I keep them out on a tray and sit down when I can can and just play with the parts. I have learned not to get set on one idea and not to get frustrated. I know if will eventually come together if I keep going and have learned that the best designs take time and patience.

Jeannie said...

Nothing worth doing and doing well is easy.
Me, I'd throw down a bunch of seed beads in a pile and place the crystal on top. It's not foolproof, but helps me.

alyssakaycollections.etsy said...

All I can say is wow. I do bezeling with wire. I don't even know where to begin doing what you do. I think they look great. I am impressed.

Peggy Sturman said...

How right you are! We can all speak about how satisfying, meditative, zen-like the creative process of beading can be, but we do not speak about the many do-overs, the hair-pulling, the expletives hurled -- a far cry from meditative. But oh, yes, we tend to forget that when it ultimately works out beautifully!